Kalisia at Myspace

Despite the fact that the French progressive death metal band Kalisia was founded in 1994, Cybion, released earlier this year, is their debut. With choral vocals and the heavy use of keyboards, I felt that this album is best looked at from the perspective of progressive metal than death metal. When I want to hear death metal, I want something sickening and I want something brutal; this doesn’t deliver on either count, despite the frequent use of harsh vocals. It’s just too melodic to be a really great example of death metal.

Cybion is considerably better as a progressive metal album, but it still has its flaws. It’s supposed to be some sort of sci-fi concept album, but I never really understood it (the fact that many of the vocals are growled didn’t help). It also seems more than a little derivative of Ayreon, what with the multiple singers, squelchy synthesizers and Arjen Anthony-Lucassen himself appearing on one track. It’s messy and overlong, but there are lots of interesting musical passages so it evens out fairly well in the end. I can’t recommend Cybion to death metal fanatics, but prog metal fans should like it. I think it’s decent for a first effort, but I’ll probably never listen to it again.

Blut Aus Nord at Myspace

In 2003 Blut Aus Nord released “The Work Which Transforms God” one of the most important black metal releases of this decade. With its icy and mechanical yet deeply occult and malevolent brand of industrial black metal they created a record that was perhaps as relevant to the 00’s as “A Blaze in the Northern sky” or “In the Nightside Eclipse” were to the 90’s. Their immediate follow up 2006’s “Mort” was an even more avant-garde step into the unknown and while it was more unique than “The Work Which Transforms God” it lacked that inhuman air of menace that made its predecessor the classic that it was.

2007’s “Odinist” is a move back towards Black Metal and ironically suffers from the exact opposite problem as “Mort”. Although the Black Metal on display is evil and foreboding to the vilest extremes it lacks the Industrial otherworldliness that made “The Work Which Transforms God” so unsettling and alien. It is a good album as even a flawed Blut Aus Nord record is better than 95% of the black metal records that have been realised in the past 12 months and indeed this decade but if you have had heard The Work Which Transforms God” then it frankly pales. It is still an extremely inventive and nonconformist Black Metal album that absolutely drips with a sinister and misanthropic ambience and is worth checking out. If you haven’t heard any Blut Aus Nord records to date however you would be advised to make The Work Which Transforms God” you’re starting point.