Heaps of Dead at Myspace

This is the debut release from Heaps of Dead, an Ontario-based quintet that plays brutal death metal. “Deceased, Dismembered, and Left to Decay” starts off fairly well; the first few tracks are fairly simplistic, but they’re effective despite their simplicity. They reminded me a bit of early Six Feet Under (I know they’re a controversial band, but I enjoyed their first few albums a lot.) The singer does a pretty good job with both high-pitched screaming and death growls. I got the impression that Heaps of Dead was a young band that needed improvement, but had lots of potential.

Unfortunately, starting on track four, a new vocal style rears its ugly head- horrible “BREEE!” pig-squealing. I don’t know what possessed them to incorporate this  awful style, but it just doesn’t work one bit, and should have been left out entirely. These vocals rarely take center stage, but they’re horrible enough that they ruin the tracks where they’re used, and completely ruin what could have been a decent album. Aside from that, I really liked the use of samples from Aqua Teen Hunger Force. If the singer quits the horrible pig-squealing/toad-croaking vocals, Heaps of Dead could be a band to watch in the future. If he keeps using them, though, not even wild horses could get me to listen to this band again.

Cephalectomy at Myspace

Cephalectomy hail from Nova Scotia, and they play a heavily Kataklysm-influenced style of deathgrind which they have dubbed “mystigrind”. Their latest release, The Dream Cycle Mythos, consists of just one 23-minute long song, which goes through multiple segments, including both growling and screeching vocals. Typically fast and brutal grindcore segments are punctuated by creepy synthesizer interludes reminiscent of Morbid Angel’s Formulas Fatal to the Flesh, with a little bit of mid-tempo metal thrown in near the end.

I personally greatly preferred the bear-grunting to the shrieking, but that’s just personal taste. I also didn’t like the use of a drum machine, as Cephalectomy had employed an actual drummer on previous albums, but some of the drum parts are so insanely fast that it’s understandable that they made that choice. One part near the end of the song stuck out to me as being extremely fast and noisy just for the hell of it, but most of the rest of the EP is strong. This release is definitely worth picking up for fans of grindcore and brutal death metal.