Looking glass
Navigate/Search

Violator – Chemical Assault

violatorchemicalassault

Violator at myspace

Originally released on Kill Again records in 2006, “Chemical Assault” was reissued by Earache records in Europe in 2008, this debut album from Originally released on Kill Again records in 2006, “Chemical Assault” was reissued by Earache records in Europe in 2008, this debut album from Brasília based thrash act Violator is 80’s sounding in more way than one. The guitar tone and overall recording quality are nearer to the conditions of Destruction and Exodus recording particularly in the guitar tone than say Evile or Gama Bomb. This is both immersive as one can really imagine just for a second that this is a long lost record from 1987 and distracting as the cymbals and hi hats in particular sound too distant and muffled. Whether this was an attempt to get back to the vintage age of thrash in a similar fashion to Witchcraft trying to capture the the feel of 70’s metal or out of necessity due to lack of funds is uncertain.

The music itself mixes Teutonic and bay area elements together to create a sound that might be described as a slightly blackened and a lot less melodic Bonded by Blood era Exodus. This is not a pretty album, it is about raging riffs at fast tempo’s and blistering solo’s rather than beauty. This about war, destruction and thrash; this ain’t a fucking Armored Saint record if you get what I’m saying. Bassist/Vocalist Pedro Arcanjo Has a high pitched stratchy vox similar to the early style of Kreator vocalist Milie Petrozza which greatly adds to the vibe of the record. This a nice piece of retro style thrash and is worth any thrash fan checking out.
based thrash act Violator is 80’s sounding in more way than one. The guitar tone and overall recording quality are nearer to the conditions of Destruction and Exodus recording particularly in the guitar tone than say Evile or Gama Bomb. This is both immersive as one can really imagine just for a second that this is a long lost record from 1987 and distracting as the cymbals and hi hats in particular sound too distant and muffled. Whether this was an attempt to get back to the vintage age of thrash in a similar fashion to Witchcraft trying to capture the the feel of 70’s metal or out of necessity due to lack of funds is uncertain.

The music itself mixes Teutonic and bay area elements together to create a sound that might be described as a slightly blackened and a lot less melodic Bonded by Blood era Exodus. This is not a pretty album, it is about raging riffs at fast tempo’s and blistering solo’s rather than beauty. This about war, destruction and thrash; this ain’t a fucking Armored Saint record if you get what I’m saying. Bassist/Vocalist Pedro Arcanjo Has a high pitched stratchy vox similar to the early style of Kreator vocalist Milie Petrozza which greatly adds to the vibe of the record. This a nice piece of retro style thrash and is worth any thrash fan checking out.

Leave a Reply